rosinSo you’ve got your violin/viola. Got your case, music stand, got a teacher, books etc. What about your tree sap?

The what now? Yeah, your lump of tree sap to rub over the bow? Otherwise known as rosin. Yes, it seems an odd accoutrement to a musical instrument but it is essential if you want to make your violin sing and sound beautiful. In fact, without rosin it won’t make much of a sound at all, and it is vital to have good rosin and know how and when to apply it.

First, let’s understand what rosin is and what it does and then you will grasp why it is so important.

Rosin starts as resin, a sticky and viscous substance from trees that is not unlike sap but harder. Rosin is resin in its solid state, produced by heating and mixing a carefully selected blend of ingredients and allowing them to set.

Think of rosin as a bit like an adhesive that helps your bow stay in contact with the strings. When a rosined bow is drawn across strings, the stickiness creates enough friction to create a grip on the string, pulling it further away from its resting position until it snaps back into place (vibration) only to be pulled once again thanks to the continuous bowing motion.

You don’t, however, need to apply it every time you play. A single application should be enough for several hours playing time.

Applying rosin for the first time

Applying rosin to your brand spanking new bow for the first time, you might see a lot of rosin dust go over your violin when you first start to play. Not a problem. You can simply wipe it off with a soft cloth after you’re finished applying.

Next you need to just play the violin for a little while to work the rosin into the bow hair. Once you’ve done this, apply a little bit more (perhaps three to six passes up and down the bow) and play a bit more. If you do it right, you’ll have a new bow that plays without creating excessive rosin dust.

So how do you know when to apply more rosin?

When you get to the point where you have to put more force on the bow than you normally do to get the same sound, then it is time to apply more rosin.

After the initial application you’ll probably only need to go up and down the bow three or four times to get the correct amount.

rosinmanufactureWhich rosin is best to use? 

You will not be surprised to learn that Hidersine offers a complete range of rosins for violins, violas, cellos and double-basses. There are varying sizes, from the smallest Junior models to the larger deluxe cakes such as 1V, 1C, 6V and 6C. Plus, in 2021 the Hidersine Reserve21 rosins were launched. These revolutionary rosins produce very little dust, and their unique formulation offers an excellent grip profile whether for Violin or Cello. 

Rosins labelled as 'Light' are generally a little harder in their consistency, and those labelled 'Dark rosin' are a little softer. In broad terms, a lighter rosin will perform better in warmer environments and the darker rosins will perform better in colder envronments. However, it's all about finding the perfect partner for your personal playing style, strings and local climate. You will also find that rosins designed for cello or bass will naturally be a little softer than those designed for violin or viola. This is because the diameter of the larger strings require a differing level of grip and slip. 

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Our world famous Hidersine rosin is made in the UK from a carefully selected blend of waxes and resins. We still use the same hand-pouring manufacturing processes and many of the recipes that were first developed by Francis Hider, almost 100 years ago. In doing so, we maintain a handmade, authentic and artisan connection to our product and to the musicians who use it.

 

 

bowThe one thing that will improve your violin playing above any other is of course… practice. Practice, practice and more practice. All the gear and no idea is where you will be without it.

You thought it was going to be the bow didn’t you? Be honest. We’ll get to that. But no, it really is practice. Assuming you are already doing that, however, having the correct set up will make your hard working, diligent approach, sound even better.

If you’ve been reading the other parts of this blog, you will know that we have covered all aspects of taking your first steps on the way to the Albert Hall from the right instrument sizing to the right rosin. And the correct bow is of course, just as important. Once again, there is no single right answer to the question of what is the best bow to buy, it isn’t necessarily the most expensive by any means, it’s about what is right for you.

Let’s start with a few basic facts about violin bows. Firstly, there are three fundamental materials used in bow sticks - brazilwood, pernambuco, and carbon fibre. Brazilwood is a generic name for several kinds of tropical hardwoods used for inexpensive bows. Unsurprisingly it comes from Brazil as well as other tropical countries. These bows are normally priced between about £25 and up and are suitable for beginners or early intermediate players. 

You will also come across Pernambuco, which has been the wood of choice for the best and more expensive bows. It’s a dense, heavy wood that comes, again, from Brazil and boasts just the right combination of strength, elasticity, and responsiveness. Also, within the last 20 years, carbon-fibre bows have become popular, in part because of the shortage of pernambuco and other woods.

Carbon-fibre bows possess many of the qualities of pernambuco plus added durability (they are less likely to warp and less sensitive to climate).

Our Hidersine range includes all materials (round and octagonal) with full-sized brazilwood bows from £24.65, pernambuco models starting below £100 and carbon fibre at £54.

How do you know if you should upgrade your bow?

Well, if you have reached a comfortable level with your playing but you want to improve your sound somewhat, then a better bow might help. The best way to find out is to visit your local violin store and try out a few different bows to see how they sound and, just as importantly, how they feel when you play with them. Although you might not hear any immediately appreciable difference in the sound, if the bow feels better in your hand and maybe allows more variation in your playing technique, that can be just as important.

For any Harry Potter fans out there, think of a bow as your wand. You will know that it’s right for you in terms of feel, weight and balance as soon as you begin to play with it. And of course, just as violins come in a variety of sizes, so do bows, so make sure you get one to match the size of your violin. No point trying to play a full-sized 4/4 violin with a 1/2 bow.

What should you look for in the sound?

As a rule of thumb, a more supple bow will have a smoother, fuller sound. Too soft, and the sound may lack clarity. A stiffer, stronger bow such as a carbon fibre model, will give a brighter, more focused sound. Octagonal bows are also, generally speaking, stiffer than round bows.

Balance is probably more important than weight when it comes to making your selection but, ultimately, if it feels good to you then it is probably the right bow. It should feel balanced in the hand at a 45-degree angle from tip to frog.

HidersineCelloSizeChart webYou won’t be surprised to learn that there isn’t a one-size fits-all solution when it comes to cellos. As with violins and violas you need the right sized cello for your age, shape and height.

Cellos are measured by the length of the back, from the full-sized cello of 30 inches or more intended for adults more than five feet tall, to 1/8 cellos designed for children between four and six years old. Just to add a little more variation into the mix be aware that different manufacturers make cello sizes at slightly different lengths, but they will fall within a few inches of each other. The important thing is comfort and practicality.

If you are between two different sizes, you’ll likely be more comfortable with the smaller instrument. The best way to find out what works is to visit a music store to try one out, but as a rule of thumb take note of the following different ways to measure cello sizes.

CELLO SIZE AGE RANGE
1/8 4-6 years
1/4 5-7 years
1/2 7-11 years
3/4 11-15 years
4/4 15 and above

 

 

 

 

 

 

 

CELLO SIZE HEIGHT
1/8 - 1/4 Below 4 feet
1/2 4 - 4 1/2 feet
3/4 4 1/2 - 5 feet
4/4 5 feet and above

 

 

 

 

 

 

 

CELLO SIZE BACK LENGTH
1/8 17.75 - 20 inches
1/4 20 -23 inches
1/2 23 - 26 inches
3/4 26 - 27.25 inches
7/8 27.25 - 30 inches
4/4 30 inches and above

 

 

 

 

 

cellosize

 

 

To try your cello for size (once you have worked out the size using those handy charts) find a chair and sit up straight (make sure your feet are touching the floor), set the endpin of the cello to around 12 inches in length. Let the cello rest against your chest at about a 45-degree angle. The top of it must rest at the centre of the chest, and the C string peg must be near the left ear.

Hidersine’s range includes the Vivente Academy Cello, available in Full size, 3/4 size and 1/2 size.

Supplied with a padded gigbag/carry case with bow holder and accessory pockets it also comes with a Brazilwood, Half-mounted bow and Hidersine Rosin block. All for around £750, which is about mid-price for a cello but still a sizeable outlay for a beginner. If you skimp on quality too much, however, you will be buying an inferior instrument that will not enhance your playing and may in fact make it sound a whole lot worse. Beginners need every encouragement when starting out so a good quality instrument that plays well and sounds good is essential.

The cello itself is ready to play and has a Solid Spruce Table, Solid Maple back and ribs with graphic flame, Carved Maple Neck, Genuine Ebony fingerboard, Maple Bridge, Wittner FineTune geared pegs, Wittner Ultra lightweight tailpiece with integral adjusters, Carbon Fibre endpin and Steel Strings.

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Play violin or viola? We have guides for you too. 

What size violin do i need? READ

What size viola do i need? READ

caniteachmyselfviolinWhen someone asks ‘can I teach myself violin?’ what they’re really asking is, ‘do I really need to have proper lessons with a proper teacher, paying proper money?’.

It’s totally understandable to ask that. After all, lessons can be expensive and there’s no doubt that it has also never been easier to find all sorts of information online for free that can tell you what you need to know from basic music theory to video lessons that will pretty much cover all levels.

So why then would you need a violin teacher at all?

Much depends on your reasons for learning the violin in the first place. If you want to progress to any sort of serious level (to join a local orchestra for instance) with your instrument - any instrument for that matter - then it is certainly hugely beneficial to undertake a structured curriculum (such as ABRSM and many others offer) with a recognised musical qualification at the end of each grade or level. Those bits of paper will make it much easier to be thought of as a serious musician.

Again, you can easily acquire the grade books and work through them yourself, however, without the help of a teacher to explain and expound on some of the finer points it is very difficult.

Having a good teacher can be of huge benefit to anyone trying to learn any kind of instrument. Learning to play takes patience, diligence, perseverance and hard work. Even with a good teacher it is often difficult to maintain the right level of discipline with regards to practice and technique.

Just like a personal trainer at a gym, your teacher should provide encouragement, advice and keep you motivated when you need a little extra push. Let’s face it, even the most dedicated student has moments where they’re just not feeling it and would rather be doing something else. Having a regular lesson to turn up to, with someone whose time you have paid for and committed to, stops you from bunking off.

In any process of learning there will inevitably be times when you need extra explanation, demonstration or just need to know that you are doing it right. You can’t get that off the internet. Encouragement, advice and positive reinforcement are all things you will get from a good music teacher. It will spur you on when you’re struggling to grasp certain skills or concepts and help you on your (here’s that X Factor phrase) ‘musical journey’.

There’s something else. Learning correct technique and passing grades will give you authenticity as a musician. You will know that you are progressing at the right speed and reaching the right levels. In turn, that will make you take your playing a lot more seriously and help you reach a standard you may not have been able to reach on your own.

So, yes, it is possible to learn to play on your own. But to avoid adopting bad habits and progress quicker, a good violin teacher is worth their weight in gold.

If you’re not doing it through an educational establishment, your local music shop should be able to help find a good tutor. In fact, they might even have teaching facilities on offer in the store.

Here at Hidersine, we have worked with a set of professional musicians and the European String Teachers Association (ESTA) to produce a set of violin, cello and double bass technique videos that are useful in helping you to build upon what you’re learning with your teacher. 

Hidersine are proud to fund education bursaries in association with the European String Teachers Association. Learn more here.

HidersineViolaSizeChart webIf you have successfully decided where to buy your viola, how much to spend and what to spend it on, you will then need to make sure that your instrument of choice is the right size for you.

If you weren’t already aware, violas come in a variety of sizes and in accordance with your age, size and so on, you will need to work out which one is the right fit for you.

Hidersine violas come in a range of sizes from 12 inches up to 16 inches all available at £194 in the Vivente line-up which comes with an Oblong Styrofoam Case with accessory compartment and music pocket,
Brazilwood, Half-mounted bow and Hidersine Rosin block.

The violas themselves have a Solid Spruce Table, Solid Maple back and ribs with graphic flame, Carved Maple Neck, Genuine Ebony fingerboard and pegs, Carbon Tailpiece, Steel Strings.


How is a viola measured?

Viola sizes are defined by measuring the reverse side length from the side of the button to the centre line at the base. Violas of between 16 and 16½ inches (40.6 to 42cm) are classed as large-sized and suitable for most adults. Hidersine viola sizes are available in the standard and most commonly played sizes. These common sizes are generally suitable for the following age ranges based on the average size of a person at this age. 

 

VIOLA SIZE AGE RANGE
12" 6-7 years
13" 7-9 years
14" 9-12 years
15" 10-12 years
15.5" Average adult
16" Large adult

 

 

 

 

 

 

 

As with a violin, the main criteria of measuring viola size is how far you extend your left arm in order to play in first position.

Try this. Lift your hand so your fingertips touch your shoulder, and then slowly move your hand away from your body. When the upper arm moves past the vertical position the tension in your biceps starts to increase when the upper arm is around 45 degrees to the vertical. This is the position where you need to hold your arm to play the viola.

If you then twist your hand round and pretend you are playing a violin and then move your hand away and pretend to play a viola, as your arm extends further from your body you will also notice that it becomes more difficult to move your fingers. This is why viola size is so important.

 

Viola body and neck length

However, just using the back length does not tell you how far you are going to have to extend your left arm so bear in mind the combination of the body length and the neck length.

Unlike the violin, there is no standard length for viola necks meaning finding the right size can be a little tricky. A handy tip is to add the back length and neck length measurements together as this will tell you how far you will need to extend your left arm. Next, subtract the instrument string length from this figure to find out how much your right arm will be extended. The open string length will of course indicate how far apart your fingers will need to be.

Although these measurements will help you compare instruments and to understand why they feel different, to find out if is the viola that you should be playing, you really need to try it for size and see how it feels when you play it. One of our ever-helpful Hidersine dealers will be able to assist you to make the right choice.

-

Play violin or cello? We have guides for you too. 

What size violin do i need? READ

What size cello do i need? READ

HidersineViolinSizeChart webAmong the many considerations you will have to make about where to buy your violin, how much to spend and what to spend it on, you will also need to make sure that your violin is the right size for you.

If you weren’t already aware, violins come in a variety of sizes and in accordance with your age, size etc. so it’s important that you consider which one is the right fit for you. Violins come in eight main sizes. The size corresponds to the length of the body of the violin (not including the neck and scroll). The smallest is 1/16 (just 9 inches or 23 cm), and the sizes work their way up through 1/10, 1/8, 1/4, 1/2, 3/4, 7/8 and finally 4/4 or full size (about 14 inches or 36 cm).

How do I know if a violin fits me?

A violin fits if you can reach the notes comfortably with your left hand when holding the violin in the correct playing position. You should also be able to wrap your left hand comfortably around the curve of the scroll with a little bit of bend still left in your arm.

Most adults (and some children from around age 10) will require a full-size violin. It depends on the length of your arm and what you feel you can hold comfortably. When holding up a violin, it should also not feel too heavy and it should be possible to grip the top of the fingerboard with your hand, while still bending your arm easily at the elbow. If an adult feels more comfortable doing this on a 7/8, which is slightly smaller, rather than a full-sized instrument then it’s fine for them to play a violin of this size.

 

VIOLIN SIZE LENGTH (Neck to wrist)
1/16 33.5 cm or less, 13 ¼ inches
1/10 36 cm, 14 ¼ inches
1/8 38.5 cm, 15 ¼ inches
1/4 44 cm,17 ¼ inches
1/2 48.5 cm,19 inches
3/4 52 cm, 20 ½ inches
4/4 54 cm, 21 ¼ inches

 

 

 

 

 

 

 

Again, a helpful retailer will be able to assist you to make the right choice. Of course, a violin also requires a bow and to save you having to worry about the right size of bow and shoulder rest (yes they come in different sizes too) you should look to buy a complete outfit which usually includes a violin, bow, rosin and a case.

Hidersine violins come in all sizes and with all of those things and having already been inspected and setup ‘ready to play’ in our UK service workshops, it means that you can buy with confidence, knowing that every is the right size and take your new instrument along to your lesson, ready to go from the off.

Of course, if you’re buying a violin for a child, they have a regular habit of growing so it may not be the right sized instrument for very long. You could skip a size (allowing a bit of room for growth) as long as the child is able to play the fourth finger notes. Discussion with your child’s violin teacher would be useful if you are considering that because of course, each child is different as is each violin.

-

Play viola or cello? We have guides for you too. 

What size viola do i need? READ

What size cello do i need? READ

Violin spendNow you know what to look for when buying a violin or other bowed instrument, the very next thing to consider perhaps, is how much you want to spend on that crucial first instrument.

Again, it very much depends on the budget you have available, and maybe your reasons for wanting to learn to play. If you have ambition to play in the London Philharmonic your budget might be more committed than if you just want to play for fun.

One thing is certain, there will be a temptation to look at the cheapest option but this would be a mistake because you may well end up with an inferior instrument made from unsuitable materials with poor quality workmanship.

Hidersine boasts more than 150 years of history and craftsmanship in building violins, which is why we are the choice for so many students starting on their musical journey. Our Vivente Academy instruments, which retail for around £260, for instance, feature a solid spruce top – or sound-table - which creates your instrument’s primary sound, resonating as a single structure to produce better tone. And, as the wood ages it will resonate naturally, improving the sound further. They also have maple back and ribs, maple neck, genuine ebony fingerboard and premium Wittner Fine-Tune pegs.

Many cheaper student violins may substitute for materials such as rosewood or other hardwoods instead of ebony and you will feel and hear it in the instrument.

howmuchshouldispend

There’s a reason why ebony is used - it will not mark, pit or wear out after lengthy playing periods and will remain structurally sound for a very long time. It also feels smooth on the fingers, which makes the playing experience far more pleasant.

Vivente violins are also supplied as a complete outfit, in a shockproof case with internal accessory compartments and an outer music pocket. It also includes a Brazilwood bow, and Hidersine’s own high quality rosin.

Unlike many other products which are ready to use once they have been completed in a factory, violins, violas, cellos and double basses require further tweaking once they have been constructed to set them up ready to play. Not all musical instruments out there undergo this process, so by choosing at the cheaper end of the market you can end up with something that will require continual adjustment to get it sounding right. If it ever does at all.

 

Set up includes shaping and shaving of the bridge, fitting the bridge, fitting the pegs, adjusting the bridge and fine tuning the instrument.

Your new Hidersine instrument will have already been inspected and setup ‘ready to play’ by the experts in our UK service workshops employing many years of experience in getting the violins sounding and feeling perfect.

So, if you’re on a limited budget try to avoid making false economies by acquiring a poor quality instrument which will only hinder your progress and might even discourage you from playing altogether. It might even be worth persevering with your rental instrument for a little longer while you save a little more for your first purchase which will set you on the right path.

Buying a violin from a storeFor those starting out on their ‘musical journey’ (if you want get a little bit X Factor about it), that first instrument purchase is crucial and choosing the right place to buy a violin, with the necessary level of support is also important to get right.

Before you decide upon which particular retailer will get the distinction of playing a part in the back-story of a musical legend, you will first need to make one decision - whether to buy online or buy from a high street store.

Buying online is all about price, range and convenience. You can still get all of those from the bigger high street stores but one thing that is sometimes a little harder to get from an online store is personal after-sales support. For this you really need to go to a music shop. Here at Hidersine, we are proud to work with a large network of independent music shops and larger chain stores who all provide excellent levels of service.

They will usually be happy to field any queries you might have on what type of violin to buy, whatever your budget, and are much more likely to ensure that you leave the shop a happy bunny because they want your repeat business. A retail business relies on regular customers and word of mouth recommendations to attract new ones. So they should be bending over backwards to help you.

Having a good store nearby can really be an asset as you make progress with your instrument and need the odd repair, tweak, or accessory.

A local expert dealer is worth their weight in gold and can become your go-to-guy for extras (you’re always going to need rosin, new strings and other accessories occasionally) servicing and some friendly advice.

In addition, many retailers will have low or even zero interest payment schemes (particularly for students) which will help you spread the expense over a number of months and may even enable you to upgrade to a more expensive purchase that you wouldn’t be able to afford in one payment.

musicstoreAs a regular customer they will also be happy to let you come in and try some of the better violins too, even if you’re not ready or haven’t saved up enough to make your follow-up violin purchase.

When you are ready to upgrade your instrument, familiarity with your local shop makes it just that bit easier and, who knows? Just a bit cheaper too.

For the most extensive range you should choose a Hidersine Premier dealer who will have a high stock level of Hidersine instruments and accessories. They will also be highly likely to stock instruments from the Hidersine Reserve range of exclusive instruments.

Standard Hidersine dealers will offer the same expertise and level of service but will not have the same breadth of range that a Premium dealer does. For a student player, making their first instrument purchase, however, either would be suitable.

With over 190 retailers in the UK stocking Hidersine violins alone there is no shortage of choice when it comes to deciding where to buy your first instrument.

So for the best advice and the best service, pop into your nearest music store, a violin specialist is even better, and tell them what standard you are at and what you’re looking for and you should go home armed with the right instrument at the right price and maybe even a few little extras.

shouldibuyonlineWhen it comes to just about any other purchase you can think of, buying online is something of a no-brainer. There’s more choice, the price is usually cheaper, and delivery is quick, cheaper still, or even free. What is not to like about shopping online?

But for musical instruments, it’s different. The individual nature of each instrument, and indeed the individual nature of every musician means that buying a new violin is very much a touchy-feely process. And you can’t get touchy feely online. We’re not there with the technology yet. And we’re a million miles from smell-o-vision.

Or even cello-vision. We couldn’t resist!

So, it’s best to head for your local music shop, right? Pick up a few violins, try them out, chat with the owner, maybe negotiate a discount or get some added-value on the total purchase with some accessories thrown in or a free instrument set-up. And make friends with a violin expert for life. Someone who can be your violin sensei as you continue on your journey towards the Philharmonic.

Sounds like a great scenario. And it is. But if you’re not looking for that because maybe you’re playing just for fun, learning at a less intense pace or simply just pushed for time or can’t abide negotiating busy high streets then buying online certainly simplifies the process.

It’s still important that the violin feels good when YOU play it, so you need to try them out first. But not everyone has a great music retailer on their doorstep, however, so it’s possible that buying a violin or other bowed instruments online might be your best option or maybe even your only one.

Well, if that is the case then there’s no need to panic, because here’s the thing. While visiting a shop means you have the advantage of trying out any number of violins for size all at once, find the right online dealer and you could still get to try out an instrument before you finally commit to buying it.

searchMany retailers will offer that option online by sending you a violin to play for a limited period, during which time you can get used to playing it at home and even get your instructor to run the rule over it to find out if you’re getting your money’s worth. Then if you don’t like it, you can simply send it back and try another one until you find the perfect fit for you.

Shopping online also allows you access to independent reviews so you benefit from other people’s experience of the same instrument, which means you can assess the pros and cons of buying it. You don’t get to hear from all the previous customers when you go into a shop, do you?

There is one thing that you will get from a high street store that is harder to get online, however, and that is the level of personal after-sales support. So you have weigh up how important that is to you and if the trade-off with what is presumably a cheaper online price is worth it.

It’s also worth remembering that all Hidersine instruments are expertly inspected and setup before making their way to our dealers. We know it’s important in giving you that crucial peace of mind that what you’re buying online will be in its optimal condition and ready to play when you receive it.

Oh and the one thing retailers really hate is people going into a store, finding the violin they like and then buying it cheaper online. So, whatever you do, definitely don’t do that.

howtobuyabeginnersviolinWhatever level you expect to take your violin playing to, whether playing for the sheer enjoyment (playing should always be enjoyable, right?) or whether you hope to pursue it at a more serious, professional standard, the most important decision you will ever make is in buying your first violin.

Buying the right violin should set you on the path to a lifelong love affair with the instrument which will give you endless hours of pleasure. But get it wrong, and your initial enthusiasm could soon wane as your first tentative steps are hindered by poor tunings and intonation which mean you spend more of your time fiddling with the tuning pegs than you do actually fiddling. And nothing is more likely to discourage newcomers than an instrument that sounds bad and produces that awful ‘strangled cat’ sound.

But, of course, not everyone can afford to shell out for a Stradivarius straight away, and neither should they because a high-end instrument would be somewhat wasted on a beginner still trying to master the rudiments.

How to avoid buying a bad violin

For parents in particular, keen to help their children explore the possibilities of a wide range of hobbies and interests but aware that not all of them are going to last beyond the initial enthusiasm, cost is an issue. But going too far into the low-end of the market can kill their child’s musical aspirations off quickly. Badly-made instruments produce bad sounds and a bad experience for the musician.

So how do you make the (best quality) first purchase?

The best thing to do is find a local music shop, all good stores are happy to give free advice, and talk to the staff about what your requirements are. Don’t be afraid to say that you are a beginner and know little about violins. Everyone has to start somewhere. Honesty is the best policy here.

Tempted to buy online? Consider this first. Every instrument is different and you need to know if it feels comfortable in your hands and right for you. So, you need to try before you buy. Pick it up, put it under your chin, is it comfortable? Have you chosen the right sized violin? What does it feel like when you press down on the strings? Is it hard to do? If it is, can the shop adjust the height of the bridge for you to make that easier?

howtobuyabeginnersviolin2

Hidersine instruments will have already been inspected and setup ‘ready to play’ in our UK service workshops. This means that you can buy with confidence, whether in-store or even online. 

Most importantly what does it sound like when you play it? Does it sound nice? To you. There’s no right or wrong answer to that question. Even if you don’t yet have a huge repertoire of tunes, play all the notes up the neck and make sure they sound right. You could even get someone else to play it for you so you can concentrate on listening.

Ask what the violin is made from. The type of wood is important because your instrument’s primary voice is determined by the quality of the wood and as the wood ages and the solid tonewood top gradually relaxes at a cellular level into its natural rest state, it will resonate naturally, and the sound will improve further. Hidersine Vivente Academy instruments feature a solid spruce top – or sound-table - that will improve with age.

They also have solid Maple ribs and backs too. These solid tonewood sections further enhance the instrument’s natural tone. The top produces the instrument’s primary voice, and the back and sides add the character.

 

Choosing the right bow

Of course a violin is not much good without a bow, so take a close look at that too. How does it feel in your hand? Does the note last along the whole length of the bow when you draw it across the strings? Is there plenty of hair on the bow and can you easily adjust the tightness of it?

Making sure you select the right bow can be harder than selecting the right violin. But as it is in contact with your instrument and is an extension of your hand it is vital to get it right. There is no point in selecting the right violin and then having the wrong bow because you won’t get the most out of the instrument.

bowThe three basic materials used in bow sticks are brazilwood, pernambuco, and carbon fibre, with pernambuco bows traditionally the most expensive. Hidersine offers all three materials in a range of more than 20 violin bows that start at less than £20 all the way up to more than £400 for a pernambuco model. All are professionally adjusted and ready to play with.

When selecting a bow, consider weight, feel and texture. When you play with the bow it has to feel balanced when resting on the strings. If it’s too heavy it can make your arm feel tired, too light and it will lack the power you need to player louder or more aggressively.

Check out how it feels in your hand. Can you grip it comfortably? Does everything feel like it is in the right place? You can choose between a round or octagonal bow, but we all have different-sized hands so it is about what feels right for you.

And what about texture? How does it actually feel on the strings when you play? If you’re buying from a shop take some music with you and play it with different bows to see how it feels and sounds. Play different types of piece so you can see how the bow performs when playing smoothly, softly, or pizzicato.

Above all, remember that it is good to get as much advice as possible, but you must make the final choice, based on what feels right for you.

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